Last weekend, Nigel and I attended his friend's live show – an intriguing fusion of abstract dance and electronic music composition. The performer had sensors attached to hands, arms, and legs, which translated choreography into real-time audio samples. The result was an experimental piece that straddled the line between contemporary dance and generative sound art. Whilst the format was decidedly avant-garde and perhaps challenging for some audience members to fully grasp, he took time afterwards to walk everyone through the creative process and technology behind it. That kind of openness really struck me – here was a young person bold enough to share something deeply personal, knowing full well it wouldn't resonate with everyone. Midway through the show, I found myself wondering: who would actually appreciate – let alone pay for – this kind of art? The honest answer was sobering: not many. We encourage our children to pursue their dreams and passions, yet the practical career ...